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Passingshadow.com - a commentary
on Tennyson's poem, "The Ancient Sage".
Comments Page 4
“And
idle
gleams will come and go,
But still the
clouds remain;”
So you've had some
mind games. Has that changed anything? Done anyone
any good? Certainly not for me.
The clouds themselves are children of the Sun.
Clouds are created by the action of the sun, and are a
critical part of the process by which the sun and clouds make
possible all the life on Earth, including yours.
“And Night and Shadow
rule below
When only Day
should reign.”
I still feel like I'm
living in an essentially dark place and it doesn't feel
right. (The darkness is still "in man".)
And
Day
and Night are children of the Sun,
And idle gleams to thee are light to me.
Some say, the Light was father of the Night,
And some, the Night was father of the Light,
No night no day!—I touch thy world again—
No ill no good!
You can call it any
way you want. And in that we have something in common: our
worlds have only the meaning that we impute to them. Who
knows "why". Maybe we're both "ourselves in converse with
ourselves". Maybe we're both the "Nameless" masquerading
as ourselves in converse with ourselves. The best is
glimmering through the worst, and the worst is glimmering
through the best and we're the umpire. Best and worst are
both necessary and have equal legitimacy in a material
world. This is seldom recognized by people who are trying
to make the world a better place. (see Tao Te Ching,
#29) Every individual is constantly choosing which is
right for his or her self, and the choices are ripples that move
and reverberate throughout the boundless deep. In a world
of reciprocals and opposites, the young materialist and the sage
will always both be necessary. If either vanished, their world
would vanish. Which one to be is a constant personal
choice for any individual living a life in a "material"
world. The "best" can only be as good as the "worst" is
bad.
such
counter-terms, my son,
Are border-races, holding, each its own
By endless war: but night enough is there
In yon dark city: get thee back: and since
The key to that weird casket, which for thee
But holds a skull, is neither thine nor mine,
But in the hand of what is more than man,
Or in man’s hand when man is more than man,
We could argue
indefinitely but I'm getting tired of it. Take your poem
and go back to where you came from. You should feel very
much at home there. You wont think about the possibility
of anything existing outside your materialist box of knowledge
and the only thing you find inside it is meaninglessness and
death. You think the inside of the box is all there is and
therefore you don't want to even think about climbing out of the
box. Nobody can tell you what to do. You can stay in
the box as long as you want. To get out of the box you
have to climb out and before that you have to want to climb out
and before that you (not anyone else) have to feel that climbing
out is the right thing to do. The key to the box isn't
involved in getting out of the box, the box is always unlocked
and the key is on the outside. You can play with the key
after you've ventured outside the box.
Let
be
thy wail and help thy fellow men,
And make thy gold thy vassal not thy king,
And
fling
free alms into the beggar’s bowl,
And send the day into the darken’d heart;
Nor list for guerdon in the voice of men,
A dying echo from a falling wall;
This resonates with the earlier line (Comments pg 2, paragraph
3) "Nor take thy dial for thy deity,
But make the passing shadow serve thy will." Don't
value your money more than your fellow humans. Try to
improve the lives of others whether anyone's cheering you on or
not.
Nor care—for Hunger hath the Evil eye—
To vex the noon with fiery gems, or fold
Thy presence in the silk of sumptuous looms;
Nor roll thy viands on a luscious tongue,
Nor drown thyself with flies in honied wine;
Don't get attached to
material things and pleasures. This is pretty much stock
advice from all the major religions.
Nor
thou
be rageful, like a handled bee,
And lose thy life by usage of thy sting;
Nor harm an adder thro’ the lust for harm,
Nor make a snail’s horn shrink for wantonness;
Watch out for anger
and cruelty. It comes back to bite you, with
interest. Don't harm even poisonous snakes just because
you think it's fun to lash out at something. Tennyson
calls a snail's eye its "horn". Its eye is on the tip of
its tentacle which projects from the top of its head like a
horn, and if you touch it your salty finger causes distress to
the snail and the eye shrinks in on itself to clear off the
irritant. This may be fun for you, but not for the
snail. Don't do it. Even if Tennyson probably did
when he was a kid.
And
more—think
well! Do-well will follow thought,
And in the fatal sequence of this world
An evil thought may soil thy children’s blood;
Where
you look is where you go, and where you go affects not only you
but your children and grandchildren.
But curb the beast would cast thee in the mire,
And leave the hot swamp of voluptuousness
A cloud between the Nameless and thyself,
Contrary
to the advice given by Tennyson's friend Edward FitzGerald in
the "Rubaiyat of Omar Khayyam".
And lay thine uphill shoulder to the wheel,
And climb the Mount of Blessing, whence, if thou
Look higher, then—perchance—thou mayest—beyond
A hundred ever-rising mountain lines,
And past the range of Night and Shadow—see
The high-heaven dawn of more than mortal day
Strike on the Mount of Vision!
Where
you choose to direct your energy, time and attention
matters. The "wealth of waters" that descended "from the
heights" at the beginning of the poem can ascend back up "the
Mount of Vision" and disappear in the "high-heaven dawn of more
than mortal day". No more of this "I'm stuck in the box
with a skull" stuff.
So,
farewell.
Comments
pg. 1 Comments pg. 2 Comments
pg. 3
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